Available courses

It is proposed to see the origin of the discipline, its theory and evolution.
Delve into the foundations that lead us to understand discipline and control it.
Types of wheels, their assembly and maintenance will be seen.
The principles of waltz and the bases of centrage-spining with its various variations will be explained.
Aiming to incorporate a fluidity of movement with the element and good space management.
Different figures/tricks with the element will be technically explained, such as: Cartwheel - Wheel, Coin, Suspension, Turns, Bounces, Mortars, flic-flac, manipulations, etc.
Types of falls and number of support points used in all possible angles and planes will be seen.

   Through the course it is proposed to see practical theoretical content:
- Theoretical and practical information
- Handling, contact and throws - Balance
- Body awareness when playing
- Awareness of the body in a scenic space
- Introduction to juggling numerology ( sitesawp )
- Juggling with unconventional objects - Research.
- Stage design
- Swap space

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 It is proposed through solo work, to recognize, investigate and expand the physical, sensory-perceptive and coordination possibilities, such as the relationship of the body with its center-support, the limbs and space, work on these concepts.
It comprehensively addresses the body with exercises that (re) affirm the consciousness, the Instinct and the motors of Movement. Technical tools are taken from the Acrobatics of floor, vertical, Partner and confidence.
During the course you will see the content of acrobatic floor figures such as the rondo, Roles, verticals, macaco, souplesse, croissants, Yuste, mortar,  flic flac, Mortals, and some variables, depending on the level of each participant. 

During the class, different sensory-perceptive exercises are proposed, in a playful way, reviewing the concepts of: Emotion and Movement.

Generating, through practice, states of mind of a certain sharpness, produced, almost always by an external stimulus and accompanied by a correlate in relation to the nature that surrounds us or that we imagine; Resulting in moving emotions, feelings and blind trust when moving in relation to one another.

It is proposed through teamwork, Recognize, investigate and expand the physical, sensory-perceptive and coordination possibilities, such as the relationship of the body with its center-support, the extremities and the work space in relation to the other. It comprehensively addresses the body with exercises that (re) affirm the consciousness, the Instinct and the motors of Movement. Technical tools are taken from floor acrobatics, in duo and troupe, the Anatomy for movement and contemporary dance.

It is proposed to make, as a team, a scenic accompaniment of an idea, from its conception, its development towards its culmination, on the most complex stage that exists, a circular track, a 360 ° turn where the imagined becomes Visible, Tangible, possible!